New Ways to Boost Your Grain Power 1: Barley!

 fig. a:  icy

Some days, all you really want for dinner is a bowl of soup--preferably, with a loaf of freshly baked bread, and some butter.  Soup lovers get this feeling throughout the year, of course--even in summer--but during the winter, the pursuit of soup can take on added urgency.  You know the days:  the ones with the snow squalls, the arctic blasts of wind, the temperatures that drop like an anvil in a matter of just a few short hours, possibly even a freak thunderstorm (!).  On days like these (because that's exactly the kind of day we're having here today in Montreal), there are few things as life-affirming as the first spoonful of that steaming bowl of hearty soup.  Sample the right soup, and you'll immediately feel its restorative powers begin to kick in--the very same powers that gave the first modern restaurants their allure (and the name by which these establishments became known).

Obviously, there are many, many soups that can produce this effect, but some of the most satisfying winter soups are those that make ample use of grains, like rice, barley, or oats.  These grains provide flavour, they provide substance, and they also provide comfort.  (Think about it:  why do most variations on the proverbial chicken soup come with noodles or rice, or something similar?)  Serve them with that freshly baked bread and you'll find that your grain power will be amplified.  Serve them with that freshly baked bread and a tasty beer and your grain power will be boosted even more.

Barley soup is one of the classics of the genre, but I'd more or less given up on it until I found a recipe for Grauensuppe, a German barley soup, in an issue of Saveur way back in 2011.  The recipe showed up in a fantastic article on the soup-making traditions of Central Europe, aptly titled "The Art of Soup." This was not the stodgy beef & barley soup found throughout the Anglo-American and Anglo-Canadian worlds.  Here, the barley in question was pearl barley, which keeps its form and its texture better than other varieties; the meat was German-style sausage; the vegetables included one of the staple trios of the German soup-making tradition: carrot, celeriac, and leek; and the barley was sautéed first to toast the grains and give the soup additional flavour.  The results were fantastic--one of my favourite soups of the last couple of years.  Even better:  this soup is quick and easy to make.

 fig. b:  ja, voll!

Grauensuppe 

4 tbsp unsalted butter
1 medium yellow onion, finely chopped
1 cup pearl barley
8 cups vegetable stock, preferably homemade
1/2 cup finely chopped peeled russet potato
1/2 cup finely chopped carrot
1/2 cup finely chopped celeriac
1/2 cup finely chopped leek
1 tsp dried marjoram, preferably wild
2 German sausages, like bockwurst or bratwurst
1 2-oz piece of smoky bacon
freshly grated nutmeg
kosher salt and freshly ground black pepper
1/3 cup thinly sliced flat-leaf parsley leaves 

Heat the butter in large saucepan over medium heat.  Add the bacon, and sauté for about 1 minute.  Add the onion and cook, stirring, until soft, about 5-10 minutes.  Add the stock, potato, carrot, celery root, leek, marjoram, and sausages and cook, stirring occasionally, until the sausages are tender, about 35 minutes.   

Remove the sausages and bacon from the saucepan.  Thinly slice the sausages and discard the poor hunk of bacon.  Season the soup with nutmeg, salt and pepper, being careful not to overdue it with the nutmeg.   

Ladle the soup into 8 serving bowls, and garnish with parsley and sliced sausage.  Serve hot, with plenty of good, freshly baked bread, and butter.

 fig. c:  pumpkin seed sourdough

Serves 8. 

[based very, very closely on a recipe that appeared in Beth Kracklauer's "The Art of Soup" in the November 2011 issue of Saveur]

To your health (and your warmth)!

Note:  while the health benefits of this soup might prove to be lasting, its warming properties will likely prove to be fleeting.  Please remember to snuggle up afterwards.

 fig. d:  the art of snuggling

aj

Blood, Bones, and Butter, Metal Mountains, etc.

fig. a: the lamb roast

We'd been itching to check out Gabrielle Hamilton's Prune for years. People we trusted kept urging us to go, and we'd heard nothing but the most enthusiastic reviews. Then we started to catch wind of a new book by Hamilton--not a cookbook, but a memoir. And then her story "The Lamb Roast" appeared in the January 17, 2011 issue of The New Yorker--a little foretaste of the book, now officially titled Blood, Bones, and Butter and slated for release in March--and that sealed the deal. The next thing you knew, Michelle was talking a lot about extravagant outdoor roasts--lamb and goat roasts, mostly. The next thing you knew, Prune had become a #1 priority.

The story was about a lamb roast, yes. More specifically, it was about an elaborate lamb roast her eccentric set-designer father threw for friends and family on their sprawling property in rural Pennsylvania, an undertaking inspired by "a photograph torn from a magazine of two Yugoslav men roasting a lamb over a pit." But, really, it was about so much more. And although there was a certain nostalgia to Hamilton's story--the "sexy black cat-eye eyeliner" fashioned after '60s icons like Audrey Hepburn and Sophia Loren that her mother wore; the pre-McMansion innocence of the Pennsylvania/New Jersey landscape; the insouciance of riding untethered in the back of a pickup truck; the traditional family-owned butcher shop in the days before "artisanal," "organic," and "free-range"--this was a tale of heartbreak, or, perhaps more accurately, a tale of innocence lost.  Either way, there was a lot there that the two of us could relate to--the artistic milieu, the barbecue, and the "meadow filled with people and fireflies and laughter," the freedoms of childhood in the '60s and '70s and the Led Zep--and it got us pretty excited about the impending release of Blood, Bones, and Butter, not to mention a Prune pilgrimage.

Near the end of March, we decided to make a last-minute trip to New York for Michelle's birthday. It was Saturday morning, the day before we were scheduled to leave, and we were brainstorming about things we wanted to do while we were there. We knew we wanted to be in the East Village on Sunday night--there was a concert there that night that we wanted to catch. "The concert's at 8:00. Should we eat before? Where should we go?" "I know," Michelle exclaimed, "Prune!" Yeah, right. As if... But we did want to eat early. Hmmm... Nothing to lose from calling, right? So we did. And sure enough they were booked up. But then the woman on the other line revealed a little secret.

"How many are you?"

"Two."

"We always keep a table for two open for walk-ins, and you can't reserve the seats at the bar."

We liked where she was going with this.

"We open at 5:30. If you show up right at 5:30, I can pretty much guarantee you'll get seated--either at a table or at the bar."

"Pretty much guarantee..."? Perfect. We'd make sure to be there right a 5:30.

It worked like a charm. We showed up at 5:15, and by 5:30 we were seated at a very small, very cozy table in the very small, very cozy space that is Prune. The Velvet Underground's Loaded was roaring over the stereo. The room was filled with a golden, late-afternoon light. We couldn't have been happier. We took a quick look at the menu to get our bearings, ordered a bottle of Frappato on the recommendation of our waitress, and made our final deliberations.

fig. b: wine

Prune's menu is simple, elemental, and ever so tempting. We wanted to try everything, but settled on just a few choices.

Marrow bones to begin with.

fig. c: bones

(Hamilton describing her mother's kitchen: "Her burnt-orange Le Creuset pots and casseroles, scuffed and blackened, were always filled with tails, claws, and marrow-filled bones that she was stewing or braising on the back three burners.")

Then a grilled lamb chop with skordalia, a whole grilled striped bass stuffed with fennel and herbs,

fig. d: fish

and leeks vinaigrette with mimosaed eggs (again, just like Hamilton's mom used to make).

We felt so good after that meal, we strutted out of Prune and into a surprisingly warm early-spring evening in the East Village. And twenty minutes later we were immersed in the psych-folk sounds of Metal Mountains.

fig. e: 2/3 metal mountains

A couple of hours after that, we found ourselves at Rai Rai Ken again,

fig. f: inside Rai Rai Ken

not so much because we were hungry, but because we were in New York, and the night was young.

We ate a lot of great things while we were in New York, but the simple elegance of that meal at Prune was particularly memorable. I'd even go so far as to say that it left Michelle positively Prune-obsessed. Maybe a little too Prune-obsessed.

You see, I had it on good authority that she had a copy of Blood, Bones, and Butter in her future. But she was so Prune-obsessed that she wanted it now. My feigned indifference must have tipped her off, because she really started pressing buttons.

"I really want to read Blood, Bones, and Butter. Should I buy it right now? Should I order it? What do you think? Should I get it now? I should get it now."

I've gotten pretty good at withstanding these barrages, but this time I crumbled. "No, probably best to hold off on that one, honey."

Wouldn't you know it? The pressing of buttons subsided. And, sure enough, Michelle got her copy of Blood, Bones, and Butter a couple of days later.

She made quick work of it. Almost as quick as that meal at Prune. For a couple of days, there it was, sitting on her bedside table.

fig. g: blood, bones, butter, boris

And then it was gone. The verdict? Particularly memorable.

Now it's on my bedside table.

Prune, 54 East 1st St., # 1, New York, NY, (212) 677-6221

For more about Blood, Bones, and Butter, check out Hamilton's book-related website.

aj

* Apparently, there were many of these elaborate affairs, including an exotic Moroccan party, a "Valentine's Day Lovers' Dinner that featured a swan motif prominently because, as her father explained, "Swans mate for life," and a Russian Winter Ball styled after the ice palace scene from Doctor Zhivago (naturally).