Showing posts sorted by relevance for query foodlab. Sort by date Show all posts
Showing posts sorted by relevance for query foodlab. Sort by date Show all posts

Thursday, November 01, 2012

Baby's Turning One

1st anniversary fig. a:  déja un an!

Foodlab/Labo Culinaire turns one this weekend [!].  With this in mind AEB conducted an exclusive interview with its chefs, Seth Gabrielse and Michelle Marek, at Foodlab, on the third floor of Montreal's Société des arts technologiques.


"A Brief History of Foodlab"

AEB:  First off, is it “Foodlab” or “the Foodlab”?  You know, like “Mile End” or “the Mile End.”

S:  Foodlab.

M:  Definitely just “Foodlab.”

dear Richard fig. b:  Michelle & Seth

AEB:  What was the first thing that ran through your minds when you were approached with this project?

S:  “You’re out to lunch.”  

Seriously.  I thought they were flat-out crazy.

The idea seemed to go against everything I knew about the business.

M:  Plus, there was a very specific notion about how this place would function.

S:  Yeah, they had this concept that involved doing a 5 à 7 every night, then stopping service for the show in the dome, then starting up again to serve food from 9:30 pm to 1:00 am.

AEB:  [laughter]

M:  And it all seemed very pie in the sky.

AEB:  But obviously both of you are here, so there must have been things that enticed you.

S:  More than anything, we were intrigued.

And there was the prospect of complete control over the menu.  It sounded like a rare opportunity.

Plus, there was the vast amounts of travel we’d be doing.

M:  And the massive staff we’d have.

S:  And the research budget.

M:  And the cleaning team.

[laughter]

We didn’t know at the time that we wouldn’t actually get a pizza oven.

S:  At one point we had the idea that we’d be baking bread and that the aroma would be vented out onto the street to entice any passersby.

People would be lured into the lobby and then they’d be overwhelmed by Michelle’s display case of desserts.  [This display case of desserts doesn't exist as of yet.]  When they saw those they’d be totally powerless.  They’d come up the 3 flights of stairs without any hesitation and they'd be ours.

AEB:  How did you settle on the rotating theme approach?

S:  We did one week that was all over the place.  No theme to it at all.  The only constant was that everything was small.

M:  And everything came with a $6 price tag.

S:  Including tax

M:  We knew we needed a direction, but we weren’t ready to decide, we weren’t ready to settle on a fixed menu.  And there’s something about this building, this space, that demands flux.

S:  Plus, the constant change allows us to keep our sanity.

We have something really special here.  There are no restrictions on which direction we take the menu.  We can change the entire menu in a way other restaurants just can’t.

We do these tributes to all these different regions, all these different cuisines, and we’re interested in doing them justice and being true to them, but, at the same time, everything is always our interpretation of these dishes.

Because, you know, Michelle and I aren’t Japanese.  [They ran an izakaya/manga menu last February, around the time of Nuit Blanche.]

AEB:  Really?  Because there’s a rumour going around town...

[dead silence]

foodlab by night fig. c:  Foodlab by night

AEB:  Okay...  Moving right along.  What were some of the crazier themes that you came up with, but ultimately passed on?

S:  Well, when we did our Fou de cochon menu, the idea that was presented to us was that it should have a mud theme.  It should be a mud menu.  Everything should either be brown or have mud involved in the dish.

AEB:  Or both?

S:  Yeah, or both.

M:  One plate was supposed to involve five different shades of brown, including something baked in mud...

We ended up kind of using that idea--we just went the opposite direction with it.  I thought, it’s spring in Montreal, we’re sick of brown.  We’re craving colour.  And that’s what we did for our Homage to Fou de cochon menu--we added colour--and everyone was really happy with it.

AEB:  How about some of the crazier themes you guys came up with?

[Michelle consults her notebook]

M:  Wedding menu theme.  It would be like attending someone else’s wedding.  Someone you didn’t know at all.  There’d be a fixed menu and you’d have to stay the duration, and there’d be a big, elaborate cake.  And a cake ceremony.  And dancing.

“Wartime Europe Under Rations.”  

AEB:  Ooh, that's a catchy one.  Who wouldn't want to relive the pleasures of Turnip Winter?

M:  “Real Cocktail Hour.”  Where the emphasis would be on mixed drinks and the food would only consist of snacks and they wouldn’t be sufficient to soak up all the alcohol.

S:  Is that the week that we take off?

M:  Yeah.

“Sommeliers’ Ball.”  This would be about the dancing.  We’d turn the dome into a ballroom and get some dancing instructors to teach everyone some moves.  It would be on a Monday night and all the sommeliers in town would come and learn to dance while they drink.

S:  “Expo 67.”  

We ended up turning that one into a TV episode.  [For the Les Touilleurs show.]

M:  “Dinner at sea.”

S:  Oh, yeah.  And we talked to Fred [Morin, of Joe Beef fame] about doing a train menu.  We’re still hoping that one actually happens one day.

AEB:  What was the kitchen like when you first started?

 S:  There was no kitchen--there was a folding table.

M:  No, there wasn't even a folding table.  There was a riser that the SAT used for their [music] shows.

S:  There was no running water on the third floor [where Foodlab is located].  You had to go to the first floor to do the dishes, and if you wanted to wash your hands you had to go to the second floor.

We cooked at my house and biked everything in.  And all our equipment came from home.  Most of it is still here.

AEB:  Believe me, I know...

M:  There were no plates and no utensils.

We had two induction burners and during our first week one of our staff broke one of them.  So within a week we’d lost 50% of our cooking power.

S:  We had actual stoves for our first menu, but not for the first couple of events we did.

M:  We pitched the idea of just buying two electric home stoves--$450 for both.  We still have them.  They’re the only stoves we have, and one of them is still going strong

S:  Of course, we can only use four burners at a time between the two of them, otherwise the breaker jumps.  So it makes the logistics of cooking here pretty interesting.

AEB:  Did this situation pose any problems when you hosted Omnivore?

S:  Oh, my god.  Did it ever.

Actually, our ovens were doing great until then.  They really took a beating that weekend.

That Saturday we had thirty people in our kitchen area for most of the day, many of whom weren't necessarily chefs.  It was bedlam.

And the fact that our walk-in fridge is down in the basement caused a lot of headaches.

AEB:  What’s still on the wish list?

M:  A sous-vide machine.  A Hobart mixer.

S:  A blender.  A telephone?

M:  A gas range.  They’re on order right now.  They should arrive tomorrow [!].

AEB:  And what was your staffing situation when you guys got started?

S:  For the first few months, till January, Michelle and I did all the prep, the cooking, the cleaning, and the serving.  Michelle was also responsible for ordering the wine.  In mid-January, Heidi [Gindl, Michelle and Seth's trusted assistant] came on board.

Maude [Rochette, Foodlab's sommelier] got hired just before the summer started and she took over the wine list, the service, and the hiring.  Things have been much smoother since then.

M:  Originally, we inherited a bunch of bar servers who didn’t know anything about serving food.

S:  They were used to running kegs up and down the stairs.  And suddenly they actually had to wear [button-down] shirts, and they had to serve food, and learn a menu.

michelle & theo fig. d:  Foodlab + Oenopole

AEB:  What has been your proudest moment?

M:  During our summer boom, when we were suddenly handling way more customers with exactly the same amount of staff.

Especially that special night we did with Theo [Diamantis, of Oenopole fame]--the kebab night.  That was really crazy-busy, and really magical.

I’ve done stuffy events my whole career, but here we’ve had the opportunity to do these special events that are totally different.  There's a freedom and ease to them that I really love.  And we've gotten to work with some of our favourite people.

And people have responded.

S:  With the help of Theo, we got them to come to an Izmir-style kebab night.  No one had any idea what an Izmir-style kebab was, but people loved it.

theo brings it fig. e:  Theo brings it!

M:  And the Richard Olney night.  There were probably some people who had only the vaguest idea who Olney was, but they turned out, they stayed late, and everybody had a great time.
S:  I've worked in a couple of places that were well-known, well-stocked,  and well-managed and that made it into The New York Times.

But we got a mention in The New York Times in our first year, and that made me pretty proud.

AEB:  What can we expect from you over the course of Year Two?

S:  Gas stoves!  Of course, we have no budget for pans, but that's another story.

AEB:  You'll just have to raid your home kitchens again.

S:  More stuff from home!

M:  A Chinatown menu.  My Chinatown menu.  I can't wait.  All the things that I want to eat when I go to Chinatown.

And more events.  We had this other great idea:  a Masters Dinner.

We'd invite all the old-school chefs in town.  All the chefs that have been working the line for decades.

They all know each other, so it would be a reunion.  It would also be a beautiful night of beautiful technique.
AEB:  Anything else?

S:  The release of our first cookbook.  And the launch of our Food Network show.
M:  And our line of cookware.

[laughter]

AEB:  Thanks, guys.  And congratulations!


Foodlab's First Anniversary Party takes place this Saturday, November 3.


On the menu:  
Oysters:  Thrumpbacks and Sea Angels 
Consommé with bone marrow dumpling 
Seafood terrine 
Beef carpaccio with lemon and watercress 
Carrot, cumin, currant, and cilantro salad 
bar snacks 
cake for all!

Festivities begin at 5pm.  (Makes for a great stop after RASPIPAV 2012.)

Foodlab, 1201 rue St-Laurent, Montreal, QC

aj


Tuesday, November 29, 2011

Vienna Calling!, rev. ed.

hallo? fig. a: hallo?

By popular demand, we bring you more FoodLab-related news, and, this time, it's news that's sure to excite all those who attended and appreciated our various Kaffeeklatsch events of the last year. Get this:

Vienna Calling!
November 30 - December 3
FoodLab presents a multi-course menu inspired by the Jewel of the Danube, including mushroom strudel, spaetzle with cheese and lardons, Hungarian goulash, & the return of sachertorte!

Wintermarkt 2011
December 8 - December 11
FoodLab presents a Central & Eastern European Christmas Market at this year's Souk @ SAT. Yes, glühwein will be served, as will a wide assortment Czech and Viennese seasonal treats.

Need more convincing? Check out what the Gazette's Susan Schwartz had to say about the FoodLab in today's paper! You'll also find photographs, not to mention three honest-to-goodness FoodLab recipes.

FoodLab
1201 St. Laurent Blvd
Montréal, QC
(514) 844-2033

aj

Friday, April 04, 2014

Kitchn Tour: Foodlab

TheKitchn's in-depth profile of Michelle continues with a tour of the Foodlab.

the kitchn tour Foodlab fig. a:  Foodlab Kitchn

The thing is, TheKitchn doesn't typically cover restaurants.  They're very much focused on home kitchens and home cooking.  But they were interested in how the Foodlab works with homestyle cuisine, and they were especially interested in how Michelle's philosophy and her practice extends from home to the workplace, and from the workplace back into the home.

The photographs are lovely, and they were taken last fall, so you can see Seth & Michelle and rest of the gang working busily on their Provence menu.  All I could think of was warmth, and al fresco dining, and rosé, and it felt pretty good.

Thank you, TheKitchn!

aj

Tuesday, August 21, 2012

Omnivore 'r' us

dome fig. a:  welcome to the pleasuredome

It all looks so calm, so peaceful, so reassuring, but over the last few days there was a veritable hive of activity under the Société des arts technologiques' mysterious dome.

You'll remember that when we last interacted Omnivore was just on the verge of getting underway.  You'll also remember that while Omnivore's series of "maudits soupers" was intended to create a ripple effect of culinary collaboration and experimentation across the city of Montreal, the Société des arts technologiques, and its Foodlab in particular, was slated to be Omnivore Montreal's ground zero.

Three days of workshops took place there, a great deal of the prep work for both the workshops and the dinners was conducted there, and the Foodlab was the site of a closing night dinner, pairing the talents of Les Grès' Jérome Bigot and the Foodlab's Seth and Michelle, as well as an after-hours bash for all those who participated in putting together the Montreal leg of Omnivore's World Tour 2012.  That's a significant amount of hustle and bustle for a kitchen that features virtually no modern conveniences (convection oven? sous-vide machine? Pacojet?), uses home-use electric ranges exclusively (natural gas?), and consists of a staff of three.

It was quite a wild ride, but one that was by turns illuminating, sometimes even breathtaking, and frequently inspiring, and it succeeded in forging what will surely turn out to be important links between chefs and gastronomes in Montreal, Europe, and beyond, as well as exposing Montreal's food-obsessed to a new, more interactive kind of food festival, one that looks likely to be a recurring proposition.

There are certainly more extensive reports on Omnivore Montreal 2012 to be found elsewhere, but here are just a few personal impressions focused on Michelle's involvement with the festival:

On Sunday Michelle gave her workshop on the topic of memory, fantasy, strawberries, and the nature of dessert.

strawberries, pepper fig. b:  black pepper, strawberries

She created two strawberry desserts for the event, both of them "simple," both of them designed to end a meal on a suitably light and refreshing note.  The first was a sour cream panna cotta with candied celery, a mixed herb granité (parsley, mint, basil, verbena), and strawberries.

The second was her dreamy Bohemian Rhapsody, a dessert that she created when she was still at Laloux and that was featured in the Gazette's "Strawberry Smackdown" last summer, and whose conception I described in some detail in a post at around the same time.  In case you've forgotten, it went something like this:

If you haven't had the pleasure of hearing Michelle describe the dessert herself, it all started with stories her mother used to tell her about summertime in Czechoslovakia. It seems that instead of summer camp, Czech kids used to be carted off to these summer work camps where they'd spend a couple of weeks picking hops as part of the national beer-making effort. 

Summer work camps? Nationalized industries? Doesn't sound like a lot of fun, does it? Except that apparently it was.

The kids were out of the city and in the countryside, they were camping, and they were relatively unsupervised. There was music every night, there were songs and dancing, and there was no shortage of summer intrigue, and a fair bit of summer romance, too. There were also strawberries--lots and lots of wild strawberries--and flowers.

Michelle loved hearing these stories (she still does!), especially because her mother would get so animated when she told them (she still does!). They were/are clearly among her mother's fondest memories.

Anyway, earlier this year, before strawberry season even began, Michelle came up with the idea of creating a dessert that would capture elements of these remembrances of Czech summers past. There would definitely be hops, of course--the most floral she could find. There would also be strawberries and flowers--an homage to the wild strawberries and the wildflowers that grew alongside the hops in the Czech countryside. There would be malt--another nod to the art of making beer. And there would by rye--Michelle imagined rye crumbs mingling with the hops and the strawberries and the wildflowers after the Czech youngsters had had their lunches in the fields.
celery, hops fig. c:  celery, hops

This was exactly the story that Michelle described to the audience at her workshop, but she used it to talk about her creative process, and to reflect upon dessert's nature, on the dichotomy between desserts that are based in fantasy and those that are based in memory (whether personal or collective), and how on occasion desserts can find their inspiration in both.

mm in the dome fig. c:  Michelle 360º

She also decided that additional visuals were in order, so we drew up a leaflet to provide audience members with some important primary texts.  The four texts in question looked like this:
 strawberry picking! fig. 1:  strawberry picking in Czechoslovakia
It was late in the evening when Philip arrived at Ferne. It was Mrs. Athelny’s native village, and she had been accustomed from her childhood to pick in the hopfield to which with her husband and her children she still went every year. Like many Kentish folk her family had gone out regularly, glad to earn a little money, but especially regarding the annual outing, looked forward to for months, as the best of holidays. The work was not hard, it was done in common, in the open air, and for the children it was a long, delightful picnic; here the young men met the maidens; in the long evenings when work was over they wandered about the lanes, making love; and the hopping season was generally followed by weddings.  --Of Human Bondage, CXVIII (pg. 543), W. Somerset Maugham
fig. 2:  a fortuitous quote
Michelle's journal  fig. 3:  a page from Michelle's journal
Michelle & co. fig. 4:  Michelle & co.
I was hardly the most objective of observers, but her presentation--her reminiscences and commentary, her demo, her leaflet--appeared to have really struck a chord with the audience, and the fact that she served individual portions of her Bohemian Rhapsody to each and every attendee didn't hurt either.  In fact, it helped to create a mob scene after her talk.

mm in the dome2 fig. e:  after the demo

Later that night, on our way to a "maudit souper" at Sardine, we had a chance run-in with a long-lost friend who was visiting from Toronto.  We did the standard 5-minute check-up, catching up on the highlights of the last few years, including Michelle's move to the Foodlab, and, completely unprompted, our long-lost friend brought up our post about the Bohemian Rhapsody and how its tale of childhood romance in the hop fields of Communist Czechoslovakia had nearly brought him to tears (!).  "Wow, funny you should mention that," I said, "because Michelle just finished giving a public talk on just that very topic."  Afterwards, I made a joke that I'd only had to pay him $50 for him to stage this unexpected encounter, but, really, his timing was impeccable, and Michelle marched onwards towards Sardine with a new spring in her step.

A day later, Ève Dumas singled out Michelle's talk as one of the highlights of the festival in the pages of La Presse (!!).  Commenting on the strength of the Montreal contingent's demos over the weekend, Dumas wrote:
La palme revient à Mme Marek, qui a donné un sens nouveau a l'expression galvaudée qu'est "cuisine d'émotion."  "Un travail sur la mémoire et le fantasme, avec des fraises," était la description que las chef du Foodlab avait faite de sa présentation la semaine dernière.  Et hier, c'était exactement ça.
Partant d'un souvenir d'enfance sublimé, Michelle Marek a préparé en direct un dessert aux fraises, avec granité de houblon, crème fouettée et crumble de pain de seigle qui évoquait l'enfance de sa mère en Tchéchoslovaquie communiste.  À la fin de la démonstration, une cinquantaine de spectateurs émus voulaient connaître le goût des fantasmes de Michelle Marek qui, par chance, avait prévu une petite portion pour tout le monde.
Michelle had even more spring in her step after she discovered that write-up.  It gave her the boost she needed to face up to a huge day.

And, finally, last night, Omnivore Montreal 2012 came to its inevitable conclusion with two more seriously hot tickets:  les Frères Folmer of Couvert Couvert (Heverlee, BE) with Marc-André Jetté and Patrice Demers at Les 400 Coups and Bigot/Gabrielse/Marek (organ, drums, guitars) + Oenopole's Theo Diamantis (wines and vocals) at the Foodlab.  Unfortunately, we missed out on the festivities on rue Notre-Dame, for obvious reasons, but the collaboration between Team Les Grès, Team Foodlab, and Team Oenopole resulted in a lovely menu with real moments of magic, the highlight of which was probably the main course:  a marinated and grilled pork échine with onions served four ways (scallion purée, charred scallion oil, grilled scallions, and an onion cream) and a pork jus.

pork plates fig. f:  pork plates

It was as striking as it was tasty, and it was one of those dishes that you wanted to just keep reappearing each time you cleaned your plate.  I could have easily had one for dessert, too.

pork plate fig. g:  pork & onions

All things must come to an end, though, right?*

A few hours later, the guests had departed, the chefs had returned, and there was nothing left to do but drink, dance, play ping pong, and reminisce about the weekend.

aj

* with the exception of AEB.

Sunday, December 30, 2012

Olney Love Can Break Your Heart

2012 was also Foodlab's first year of existence, and, oh, what a year it was.  Sure, it was wild & wooly at times, but mostly it was a year of lovely, often adventurous menus, stellar events, a truly incredible summer that seemed to want to live up to Foodlab's seasonal theme ("Club Med"), loads of positive feedback, some well-deserved acclaim, and lots and lots of ping pong.

Like I said, Foodlab was the site of a number of fantastic events over the course of the year (a Greek kebab night, on a hot August night, that was amply lubricated with ouzo comes to mind), but my favourite was definitely Michelle & Seth's hommage à Richard Olney.  From the thoughtful Provençal menu, to the fine Bandol wines (courtesy of Theo Diamantis and the Oenopole crew), to the convivial ambiance, and the lively and appreciative crowd, this was a truly memorable night, a heartbreakingly beautiful night, one that Montreal desperately needed, and one that, I'm sure, made dear Richard very proud indeed.

dear Richard

Michelle & Seth put the finishing touches on the chalkboard.

duo theo

Theo's pride & joy.

menu apple

The night's menu.

ratatouille

Ratatouille.

terrine

Game terrine with red-wine-soaked prunes.

stuffed squid

Stuffed and braised squid.

mushrooms, lamb

Marinated & grilled mushrooms.  Stuffed lamb shoulder with jus and white purée.

salad

Michelle's Salade Olney.

pear

Red-wine-poached pear.

apple

Honey & apple tartlet.



Here's to many more amazing Foodlab events, and let's hope the hommage à Richard Olney becomes an annual event!

aj


Saturday, March 29, 2014

Greens Revolution

Labo Culinaire (a.k.a. Foodlab) made it into the pages of Bon Appétit last month!

They appeared in the RSVP section of the magazine, where readers write in asking Bon Appétit to lobby on their behalf and get a restaurant's heretofore secret recipe, because Elizabeth Munsell, of Boston, MA, did just that--she was curious about a dish she'd had at Foodlab last summer.

She wrote:

Dear Bon Appétit
The sautéed greens at Labo Culinaire in Montreal were the highlight of our vacation.
E.M. 
These were the greens she had in mind,

sauteed greens w: labneh fig. a:  sautéed greens with labneh

they appeared as part of Foodlab's Jerusalem menu last summer, and I fully understand Ms. Munsell's interest.  They were seriously delicious--a key part of Foodlab's Greens Revolution Summer--and a total crowd-pleaser, and I, too, have been curious about the recipe ever since.  So, thank you, Elizabeth Munsell, and thank you, Bon Appétit!  You made Seth and Michelle very happy, and you made me happy, too.  You'd be surprised how difficult it can be to get a recipe from a chef, even when you live with one.

If you're having a hard time figuring out what's going on in the photograph above.  The greens are wilted with garlic.  There's a dollop of labneh on top, which has been drizzled with olive oil.  And the ensemble has been topped with toasted pine nuts, fried shallots, and lemon zest.  Sounds good, right?

The brilliant thing about this dish is that it's great year-round:  it's just as good with winter greens as it is with summer greens.  It would be great right now as a Lenten dish; but it would also be delicious with an Easter lamb.  Serve it alongside grilled meats and seafood all summer long, or as part of a meze-style meal.  You get the idea...

And it's not difficult to make.  It's really all about the balance of flavours, and, for me, it's the fried shallots that really make it (although the pine nuts and the lemon zest are killer touches, too).
Sautéed Greens with Labneh and Pine Nuts 
2 tbsp pine nuts
2 medium shallots, thinly sliced into rings and separated
1/2 cup vegetable oil
kosher salt
3 tbsp olive oil, plus more for serving
2 garlic cloves, finely chopped
1 lb hardy greens, ribs and stems removed if necessary, leaves torn
1 tsp finely grated lemon zest
1 tsp fresh lemon juice
freshly ground black pepper
1/2 cup labneh 
Preheat the oven to 350º F.  Toast nuts on a baking sheet, tossing occasionally, until golden brown, 6-8 minutes.  Let cool. 
Combine shallots and vegetable oil in a small saucepan.  Cook over medium-high heat, stirring occasionally, until shallots are golden, 8-10 minutes.  Using a slotted spoon, transfer the shallots to a paper towel-line plate and season with salt. 
Heat 3 tablespoons olive oil in a large skillet over medium heat; cook garlic, stirring until fragrant, about 30 seconds.  Add greens in batches, tossing to wilt slightly before adding more, about 2 minutes.  Add lemon juice and toss; season assertively with salt and pepper. 
Serve greens with a dollop of labneh; top with lemon zest, shallots, nuts, and a drizzle of olive oil. 
Serves 4.
Bring on the Greens Revolution!

aj


Monday, July 23, 2012

Mark your calendars..., rev. ed.

Hot on the heels of a glowing review of Foodlab in this weekend's New York Times (!), it's another eventful week in the wonderful world of Foodlab/Michelle/AEB.  Check it!

zorba the sommelier fig. a:  Zorba the sommelier

Wednesday, July 25:  Theo Diamantis and Team Oenopole will be descending upon Foodlab for a special Greek Grill Extravaganza, featuring grilled Greek sausages (loukaniko), Izmir-style kebabs, grilled sardines, and a whole mess of Greek wines, in addition to all the Greek delicacies already on offer.  The fun starts at 5pm and lasts till 10pm.  Bring an appetite, and a thirst!

strawberry socialists fig. b:  red menace

Sunday, July 29:  Michelle and "...an endless banquet" will be running yet another fruit social (the first one of 2012) at Parc Jeanne-Mance from 1pm until supplies last.  This one's a Strawberry Social, and, once again, it will feature beautiful Quebec strawberries, Michelle's famous shortcake, and lightly whipped cream.  Portions will be generous.  Payment is by donation only, with a suggested donation of $7.  And all the proceeds will be going to support Head and Hands.  Location is by the beach volleyball courts, as Michelle's stand will be there to augment Serve, Head and Hands' annual bars & restaurants beach volleyball tournament.  Come one, come all!

And don't forget about Omnivore, which gets underway on August 16...

aj

p.s.  kebabapalooza follow-up:

michelle & theo fig. c:  foodlab + oenopole

What a night!  Such great wines, such awesome food, such a good vibe...

Wednesday, May 15, 2013

Get Thee to the Greek

Greek spring fig. a:  Greek spring!

Team Foodlab & Team Oenopole are teaming up again to bring you another Greek extravaganza, featuring not one, not two, not three, but FOUR honest-to-goodness Greek wine producers

Thymiopoulos
Argyros
Tselepos
&
Papagiannakos

Opa!

zorba the sommelier fig. b:  Opa!

and a wide range of Greek delicacies, including

grilled lambchops
stuffed eggplant
octopus salad
grilled Izmir-style kebab
fresh grilled flatbreads
&
honey-walnut cake

michelle & theo fig. c:  Foodlab + Oenopole

And, get this:  you don't have to wait, because the festivities take place TONIGHT!

Wednesday, May 15
5pm till close
Foodlab
1201 boul. St-Laurent
3rd floor
Montreal, QC

It's official--Greek Spring has arrived!

aj

Thursday, January 19, 2012

Strudelwerk

strudel fig. a: apfelstrudel

Remember this beauty?

Ever wanted to learn how to make your own authentic Viennese-style strudel?

Well, Michelle is initiating the FoodLab's instructional division (!) with a special strudel-making class on Sunday, February 5. The action takes place from 1:00 PM to 5:00 PM, during which time the group will produce two strudels: one apple strudel, like the one you see above, and one savoury strudel, with homemade cheese and greens. The class costs $60 and it includes instruction, recipes, plenty of hands-on experience, and coffee, and then you get to devour your delicious strudels. Michelle says, "It should be super fun and delicious," and, personally, I don't doubt it.

To sign up (spaces are limited!), write to Michelle at this address: foodlab@sat.qc.ca

aj

p.s. If you've never experienced a real, honest-to-goodness Ghent-style seafood Waterzooi, one of our very favourite AEB New Year's dishes, be sure to drop by the FoodLab this week for Week 2 of their "Clean Slate" menu.

Tuesday, January 24, 2012

Bon Hiver

winter in alsace fig. a: winter in Alsace

Talk about a supergroup! The good people at FoodLab have teamed up with the good people at Oenopole and the result is an inspired combination of wine & warmth that they're calling French Winter.

On the food tip:

French onion soup - 6$
Roasted Cornish game hen with embeurré de choux and apple stuffing - 12$
Salad with apples and walnuts - 6$
Potatoes boulangère - 7$
Marinated housemade goat's cheese - 8$
and for dessert
Far breton - 7$

On the wine tip:

Crémant du Jura 2008, Julien Labet 2009 - 6$
Bourgogne rouge, Hautes-Côtes de Beaune, Naudin-Ferrand 2009 - 10,50$
Gewürztraminer sec, Schueller 2007 - 7,50$
Sauternes, Roumieu-Lacoste 2009 - 11,50$

And on the tasting menu tip:

Cornish game hen, salad, cheese, and Far breton
+
all four wines (yes, all four, including the Sauternes)
=
$65

(Mon dieu! Just writing about this menu has made me so hungry and so incredibly thirsty...)

French Winter begins tomorrow, Wednesday, January 25th, and it lasts through Saturday, February 4.

FoodLab
Société des arts technologiques
1201, Boulevard St-Laurent
Montreal, QC

For more information, write to foodlab@sat.qc.ca

aj

Wednesday, September 19, 2012

The One and Olney

olney garden fig. a:  tending the garden

I think it's safe to say that we, here at "...an endless banquet," have a certain affection for the late Richard Olney.  We never had the pleasure of meeting him, sadly, but we've developed quite a relationship with him through his books--they just contain so much character, so much passion, so much savoir-faire, not to mention a philosophy of life that we'd like to think we share.  From The French Menu Cookbook (voted #1 cookbook of all time (!) by the Observer Food Monthly in 2010) and Simple French Food, to mass-market ventures like his The Good Cook series for Time/Life Books and his Provence:  The Beautiful Cookbook, we never cease to be amazed by their enthusiasm and their erudition. Plus, he lived such a life--a life that brought him into contact with luminaries in the fields of literature, film, and art, a life of bohemianism and gastronomy, of total dedication to the culinary arts and the "divine alchemy" of wine.  And then there's his status as godfather to both the Californian cuisine of Chez Panisse and the natural wine connoisseurship of Kermit Lynch.

Alice Waters has written that she remembers every detail of her first visit to Olney's Provençal home in Solliès-Toucas:  the olive trees, the cicadas, the wild herbs, Olney's ever-so-casual gardening attire ("Richard received us wearing nothing but an open shirt, his skimpy bathing suit, a kitchen towel at his waist, and a pair of worn espadrilles."), and his ever-present Gauloise.  What stuck with her the most, however, was the memory of a "spectacular salad" that Olney served that day, "full of Provençal greens that were new to me--rocket, anise, hyssop--with perfectly tender green beans and bright nasturtium flowers tossed in, and dressed with the vinegar he makes himself from the ends of bottles of great wines."  Simple French food, indeed.

Sometimes we imagine ourselves arriving at Solliès-Toucas to dine on one of Olney's legendary meals (which were known to induce "a kind of ecstatic paralysis"), drink deeply, converse long into the night, and dance until dawn.

fireplace at Solliès fig. b:  "fireplace at Solliès"

Other times, we fantasize about Olney's phenomenal kitchen with its hand-built hearth and its copper pots.

olney duo fig. c:  the good cook does wine

Then there are times when we dream about discussing and practicing "the art of intelligent choice" with Olney.

Not only have we been known to dedicate special meals to Olney, but we often base decisions upon whether we think "Richard" would approve or not, especially when it comes time to throwing a party.

Well, it's time to celebrate the one and only Richard Olney once again.  Now's the time.  It's the height of harvest season, and many of the vegetables, fruits, and herbs that Olney adored are at their peak.

As you may know, Michelle and Seth have dedicated the month of September at FoodLab to Olney's beloved Provence.  You may also know that their frequent partner in crime, Theo Diamantis, of Oenopole, is something of a specialist when it comes to the wines of Provence, the southern Rhône, and Corsica, including Olney's beloved Bandols.  Are you starting to catch my drift?  Good, because next Tuesday, September 25, the third floor of the Sociéte des Arts Technologiques will be the site another phenomenal FoodLab/Oenopole co-production:  an Homage to Richard Olney.

The menu has been devised, the wines have been selected, and Michelle will only say that the evening promises to be "grandiose."  (Details to follow...)  So you won't have to resort to desperate measures.

Richard Olney Eats His Menufig. d:  desperate measures

Unlike some of Michelle's past collaborations, there'll be no fixed seatings for this particular menu and no reservations will be taken.  In other words, you'll be able to show up at any time between 5pm and 10pm, and you'll be able to order as little or as lot as you like, but, remember, this is a one night only affair.

An Homage to Richard Olney
FoodLab
Sociéte des Arts Technologiques
1201 St-Laurent Blvd
September 25, 2012
5:00 p.m. - 10:00 p.m.
(you can find the Facebook page for this event here, if you're into that kind of thing, but I'm pretty sure "Richard" would be disdainful of your dependence on the social media*)

aj

* Ha, ha...

Wednesday, March 06, 2013

La Grande Bouffe!, rev. ed.

Have you heard the news?

Foodlab and our friends at Cult MTL are teaming up to present a very special night of aural and oral pleasures (so to speak).

bouffe:bal fig. a:  bouffe/bal

The occasion:  the release of Cult MTL's eagerly anticipated March issue.

The location:  the SAT's Foodlab.  Saturday, March 9.  7:00 p.m.

The attractions:  Foodlab, Nouveau Palais, Soupson, and Dispatch Coffee will be combining their considerable talents to produce a $25 4-course meal & The Suuns (the March issue's cover boys) will follow with a $5 DJ set to celebrate the release of their most recent record, Images du Futur.  (Want to get yourself primed?  Check out the entire album here.)  But, get this:  if you buy a ticket for that tasty 4-course meal, you'll be admitted into the dance party gratis.

cult mtl stack fig. b:  suuns/cult

Sounds awesome, right?

Oh, it will be.  Just look at the menu.

bouffe menu fig. c:  le menu

As Michelle is so fond of saying:  bouffe!

bouffe! fig. d:  santé!

Interested?  You can purchase tix here.

aj

Tuesday, September 30, 2014

Oysters & Gumbo? Ya! Ya!

Calyo's Oyster Stand fig. a:  the oyster-stand

You heard right:  Oysters & gumbo.  
At the Foodlab.  This Friday, October 3rd, from 7:00 p.m. on.
And it's all for a great cause.

smoked andouille fig. b:  smoked cajun sausage

You see, Michelle & Seth will be shucking oysters all night and I'll be serving smoked turkey & sausage gumbo (while quantities last!), and all the proceeds will go towards the Ange-Aimée Woods Memorial Bursary at Concordia University.  

We've said it before, but we'll say it again:  Ange-Aimée was a fantastic journalist and a devoted friend.  She loved great food, and good parties.  She was also a big fan of the Foodlab.  We can't think of a better way to honour Ange-Aimée's memory and to benefit a bursary that will continue to share her incredible warmth & generosity with others for years to come.

Eat, drink, & be merry!  Give Generously!  And laissez bon temps rouler!

Oyster & Gumbo Feast
Friday, October 3, 2014
7:00 - 10:00 p.m.
Foodlab / Labo Culinaire
1201 St-Laurent Blvd. (3rd floor)

aj

Friday, May 25, 2012

Real wines, fun times, rev. ed.

le joli mail detail fig. a:  the view from on high

Close out le joli mai in style on May 29th with a FoodLab/Oenopole co-production.  The festivities take place on the SAT's rooftop terrasse (one of Montreal's loveliest),

Oenopole-flyer-sat-NL fig. b:  Daumen + Oenopole + FoodLab

and the idea here is to pair Jean-Paul Daumen's brand new line of organic Côtes-du-Rhône and Vin de Pays wines, courtesy of Oenopole, with some grilled delicacies from your friends at the FoodLab (the menu according to Michelle:  "Grilled Toulouse sausage with apple and kohlrabi remoulade. In a bun." Yes!).  Now, doesn't that sound civilized?  Well, don't be so sure, because this is Montreal and the wine is going to be FREE.  (The grilled items will run you $5 a pop, just to maintain some sense of decorum.)

Jean-Paul-Daumen-Vielle-Julienne fig. b:  Das Daumen*

If you're not familiar with Jean-Paul Daumen, he's the talent behind the highly regarded Vieille Julienne label (Chateauneuf-du-Pape, Côtes-du-Rhône), and this is a brand-new project from him, an ode to the new generation of vignerons who've revitalized the Rhône region and its methods.  As he explains things (in English, courtesy of his website):

This project is about winemaking, it is about buying grapes from parcels whose [soils] are rich, vibrant, and alive--an integral part of my philosophy.  [This] project is also about working sustainably... 
This is a new portfolio of wines for me, wines that are meant to be accessible and authentic.  I want them to be real wines, meant to be enjoyed without pretence.  They are modest, and straight from the heart. 
Finally, this project is about being true to my approach to making wine, which is working the the best and healthiest fruit in my cellar.  This allows me to simply guide the winemaking process, with the least intervention possible.  My work will remain nuanced, avoiding extraction and artifice.  My desire is to leave my imprint as an artisan, with the challenge of making wine that expresses purity of fruit, uniqueness of vintage, and a terroir's personality.

Bring your wine-loving friends--there will be lots of fantastic wine.  Bring your food-loving friends--the eats are going to be hot & tasty.  And bring your fun-loving friends, too--this is going to be a blast!

aj

* photo credit:  frenchwineimporters.com / route des vins imports

p.s.  Well, when I predicted things might get wild at the Daumen 5 à 7, I didn't think Mother Nature was going to get in on the action.  Thanks to all those who braved the elements (apocalyptic amounts of rain, hail, thunderstorms, widespread flooding, etc.) to come on down and make the event a smash hit.  We knew this was a wine town, but this show of devotion was impressive, to say the least.  You people are amazing!--aj

michelle & theo fig. c:  mission accomplished!